﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><link>http://www.keyboardmag.com/</link><title>Keyboard Magazine</title><language>en-us</language><description>Keyboard Magazine - Online Edition</description><copyright>Copyright 2009 Newbay Media, LLC. All rights reserved.</copyright><item><title>Smashing Pumpkins Seeking Keyboard Player</title><link>http://www.keyboardmag.com/article.aspx?id=110105</link><description>&lt;p&gt;With the news that THE SMASHING PUMPKINS bassist Ginger Pooley has left the band to raise her new baby with her husband, BILLY CORGAN has announced that he will look for a new bassist in the same manner as he&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=110105</guid><pubDate>Thu, 11 Mar 2010 01:35:00 GMT</pubDate></item><item><title>Roland Ships KC-110 Battery Powered Keyboard Amp</title><link>http://www.keyboardmag.com/article.aspx?id=110101</link><description>&lt;p&gt;The latest addition to Roland’s industry leading KC Series keyboard amplifier lineup, the KC 110 Stereo Keyboard Amplifier (http www.rolandus.com products KC 110), is now shipping. It combines two industry firsts for a portable keyboard amp—AA battery powered operation and&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=110101</guid><pubDate>Wed, 10 Mar 2010 11:50:00 GMT</pubDate></item><item><title>Joey De Francesco on the KeyB Organ and Touring with David Sanborn</title><link>http://www.keyboardmag.com/article.aspx?id=109839</link><description>&lt;p&gt;During a recent three night stint with chart owning sax slinger David Sanborn at the premier jazz club on the west coast Yoshi's in Oakland, California jazz organ great Joey DeFrancesco spent his sound check with executive editor Stephen Fortner,&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=109839</guid><pubDate>Tue, 02 Mar 2010 10:00:00 GMT</pubDate></item><item><title>ALICIA’S KEYS by Native Instruments</title><link>http://www.keyboardmag.com/article.aspx?id=109815</link><description>&lt;p&gt;New software instrument provides the exquisite sound of Alicia Keys’ own grand piano, developed in collaboration with the acclaimed artist Berlin, March 1st, 2010 Native Instruments today announced ALICIA’S KEYS, a new software that recreates Alicia Keys’ personal grand piano&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=109815</guid><pubDate>Tue, 02 Mar 2010 06:15:00 GMT</pubDate></item><item><title>AmpliTube 3 Now Shipping</title><link>http://www.keyboardmag.com/article.aspx?id=109807</link><description>&lt;p&gt;March 2010, Modena, Italy – IK Multimedia is proud to announce that AmpliTube 3, a massive upgrade of the leading guitar and bass tone gear modeling software, is now shipping AmpliTube 3 raises the industry standard of sound variety, realism&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=109807</guid><pubDate>Tue, 02 Mar 2010 05:50:00 GMT</pubDate></item><item><title>Doug Bickel: The Student Becomes the Teacher</title><link>http://www.keyboardmag.com/article.aspx?id=108959</link><description>&lt;p&gt;&lt;strong&gt;Jazz pianist Doug Bickel never planned&lt;/strong&gt;
on a career in music — much less returning
to his Alma mater, the legendary Frost
School of Music at the University of Miami,
to direct the jazz piano department where
he once studied.&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=108959</guid><pubDate>Mon, 01 Mar 2010 01:00:00 GMT</pubDate></item><item><title>On Our iPod . . .Music For Our Future</title><link>http://www.keyboardmag.com/article.aspx?id=108973</link><description>&lt;p&gt;&lt;strong&gt;We’ll never know&lt;/strong&gt;
what music will be
like in the future, or
on other worlds —
but this set offers
some inspired
guesses. Curated by Keyboard columnist
and &lt;a target="_blank" href="CreateDigitalMusic.com"&gt; CreateDigitalMusic.com &lt;/a&gt; blogger
Peter Kirn, XLR8R magazine, and
&lt;a target="_blank" href="Pitchfork.com"&gt; Pitchfork.com &lt;/a&gt;, and inspired by the new
SyFy Battlestar spinoff Caprica, it’s a
free 13-song MP3 download. Included
are tracks by Richard Devine, White
Rainbow, Untold, and other computersavvy
acts. Lusine’s “Gravity” sets the
pace with sliced-up vocals over a mellow
beat. Devine’s high-energy sound collage
in “Matvec Interior” is both riveting and
unnerving. Hudson Mohawke deploys
Celtic inflections to spice up a lead synth
track in “Fuse,” and the beat evaporates
into a thick, dark cloud of echoing
sounds in “Toward Water” by Christopher
Willits and Ryuichi Sakamoto. Some
of the tracks are drawn from CDs
released over the past few years, but
Kirn’s “Anaxagoras” is new. It wraps up
the set nicely with a rhythmic curtain of
high-pitched piano-like tones.&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=108973</guid><pubDate>Mon, 01 Mar 2010 01:00:00 GMT</pubDate></item><item><title>Spectrasonics Trilian: How Low Can You Go?</title><link>http://www.keyboardmag.com/article.aspx?id=109061</link><description>&lt;p&gt;&lt;strong&gt;Every recording needs bass. Well,&lt;/strong&gt;
maybe not flute duets, but everything else.
So every virtual studio needs a soft synth
that delivers strong bass. Spectrasonics
Trilogy, released in 2002, provided great
sampled acoustic and electric bass, and
became the go-to virtual bass in many
studios. Trilian takes the Trilogy concept
into the stratosphere.&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=109061</guid><pubDate>Mon, 01 Mar 2010 01:00:00 GMT</pubDate></item><item><title>Page McConnell &amp;&amp; The Joy of Phish: The Planet's Top Concert Draw Reunites, and Fan Jump for Joy</title><link>http://www.keyboardmag.com/article.aspx?id=109015</link><description>&lt;p&gt;&lt;strong&gt;To the uninitiated, Phish is hard to explain. To their core fans — even harder. How do you describe Phish to someone who&lt;/strong&gt;
has never heard the band or worse, has the wrong idea? Misconceptions usually boil down to some post-Grateful Dead narrative,
where a quirky cult jam band picks up where the Dead left off after Jerry died. This grossly misrepresents what Phish is all about.
True, like Deadheads, “Phish-heads” will follow the band anywhere, but as a musical entity, Phish is light years beyond what the
Dead ever aspired to.&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=109015</guid><pubDate>Mon, 01 Mar 2010 01:00:00 GMT</pubDate></item><item><title>Vocoders: Beyond The Robot Voice</title><link>http://www.keyboardmag.com/article.aspx?id=109099</link><description>&lt;p&gt;&lt;strong&gt;Say “vocoder” and most producers will&lt;/strong&gt;
immediately think of classic Kraftwerk or
’80s funk and rap, but this tool has far more
uses than simply generating robot voices. In
essence, a vocoder is a highly specialized
filter bank and can create exotic effects that
are almost impossible to achieve otherwise.&lt;/p&gt;</description><guid>http://www.keyboardmag.com/article.aspx?id=109099</guid><pubDate>Mon, 01 Mar 2010 01:00:00 GMT</pubDate></item></channel></rss>